Art -- Low and Slow

By Luisa Berumen
Candy apple red, twice pipes and low to the floor," Cheech Marin
describes Santa's sleigh from a lowrider's point of view. After all,
what resident in the borderland could identify with a snow sleigh in
our desert? To the rest of the country, the highly decorated older
car slung low on its small tires has become a symbol of an
alternative lifestyle, low and slow.
Lowriders
are cruising their way through America. Originally centered in East
Los Angeles, their popularity has spread to Texas, Arizona, New
Mexico, Colorado and the Midwestern states.
Lowriders were little known to other parts of the country until
the last two decades. Surprisingly, lowriders came forth as a
rebellion against the hot-rodding middle-class Anglo Americans of
the 1940s and 50s. Don't let the age and ownership of these cars
fool you. Some are owned by two generations of enthusiasts. And what
started as a proud accomplishment by a talent group of Hispanics has
turned into big bucks over the 50 years of cruising.
Edgar Garcia watched his father customize his own 1947 Chevy from
top to the bottom. First he rebuilt the engine. Then he stripped the
body down to the bare metal before painting it crimson red. All of
the chrome on the car was replated. Then the elder Garcia had
the car reupholstered in beige velvet. He spent so much money
on the car that now he can't drive it on the street for fear of
damage. Watching this phenomenon, Edgar decided to customize his
truck and has made it into a work of art. He belongs to a car/truck
club and meets with others to show off these unique vehicles. Edgar
and his father represent two generations of lowrider families.
The cost of customizing the vehicle inside and outside is
extraordinary. It is ironic that the lowrider tradition was started
by earlier generations who couldn't afford a new car, and instead
improved on the car they owned at the time. Now this generation
spends a lot of money and time to continue the customizing
tradition.
Each car is unique. First of all, the engine needs to be in good
repair. Next, the vehicle is lowered by removing one-half of the
suspension coil, which cost about $150. Smaller tires, for $150 a
set, and wire wheels, known as mags, at $750 for four, are added for
the ground-hovering cruiser.
Extra details are added for each individual's taste. A circle of
chrome-plated welded chain in 6-,8- or 10-inch diameter replaces the
steering wheel for $30. A set of electric antennas is added for
$120. At a cost of $150, chrome dummy spotlights or "dummies" and a
pair of decorative exhaust side pipes are added.
To give the car performance and social challenge to other
lowriders, hydraulic pumps are added to the front and rear ends. A
bargain at only $2,000! The slick look of the car without door
handles is achieved by replacing the door handles with "pop doors."
These open with a concealed switch. The total cost of customizing
the car without exterior paint runs about $3,560.
There are three different types of paint jobs available for the
enthusiast: metal flake, pearl finish and candied finish. Metal
flake finish starts with five coats of colored lacquer. Next three
coats of clear lacquer mixes with colored metals flakes are applied,
followed by eight coats of clear lacquer.
For the pearl finish, clear lacquer mixed with a "mother-of
pearl" powder is applied after the base color to produce a rainbow
effect. Then come the eight coats of clear lacquer.
The candy finish is achieved with a base of five coats of gold or
silver lacquer. The color layer is now added, and three coats of
clear lacquer follow to make a glasslike coating much like a candied
apple. Finally, eight coats of clear lacquer follow. This finish can
cost $1,000.
Colorful geometric designs which take a month or more to complete
cost an additional $2,000. Murals painted on the hood are priced at
an additional $300 to $500. Pinstripes put on the doors add another
$150 to $200 to the total cost.
Next comes the interior transformation. The lowrider tradition is
to reupholster the seats, door panels, ceiling and dash in velvet.
Even the trunk can be lined in velvet. Enthusiasts who desire even
more luxury can add velvet-covered swivel seats, small chandeliers,
a stereo, television and wet-bar. Etched glass detailing further
customizes the car windows and windshields.
To show the pride and hard work of his masterpiece, the modern
lowrider can exhibit his vehicle locally or at numerous car shows
and conventions. Gone are the days when the local Dairy Queen was
the setting for competitions. Today cars compete for trophies and
national prominence in custom car magazines.
Drivers of lowriders are among the few who might be ticketed for
going too slow! "Cruising" is their favorite activity -- how else
could anyone appreciate the $3,000 paint job? Drivers must also
assume the correct driving posture: slouched all the way down in a
most uncomfortable manner. The car always must take center stage.
In April, a 1969 Ford LTD lowrider owned by the late David
Jaramillo of Chimayo, New Mexico, was sold to the Smithsonian Museum
for its permanent collection. "Dave's Dream" caught the eyes of
Smithsonian curators when they were looking for items representing
the culture of the Rio Grande Valley.
The car is black, covered with candy apple red lacquer mixed with
multicolored iridescent metal flakes. The side of the car sports a
wide gold stripe along with ribbons, butterflies and stars, and the
interior is upholstered in red and black velvet. In the back, a
television sits waiting to be turned on.
The car took Jaramillo years to complete and is a source of pride
for the family. It is the first lowrider in history to go into any
museum, say Smithsonian curators. Jaramillo's son, David Jr., will
be using the money to help pay college costs.
The lowrider, beginning as an Hispanic answer to the hotrod, is a
source of pride for the owners of these cars, who put thousands of
dollars and sometimes years of labor into their dream machines. They
have become a symbol of self-expression and an art form, low and
slow.